Wednesday, August 31, 2011

If You Have Not Been Into RARE vintage Recently...

Then you have missed this amazing Zandra Rhodes "Indian Feather" caftan ensemble from 1970.  I was lucky to have a moment to take a quick photo before it was whisked out of the store.  



It has been published in the Zandra Rhodes book and a similar version was worn by the oh so fabulous Rosamond Bernier who was profiled in September Vogue and on RARE vintage:)

But what you have not missed and what is coming soon after Labor Day holiday (which I will be laboring away... and hopefully the power will be back out on Long Island after hurricane Irene which will be enormously helpful with my labors) is this:


And there is more... lots more!

Sunday, August 28, 2011

Weekend Reading 16: "Burying your silver between two trees": Vogue Paris 1945

When war was declared on September 3, 1939 I was in bed in my Paris flat with an uncomfortable and unbecoming head cold.  Bettina Ballard

Weekend Reading for you from RARE vintage.  Read on...

I went to the police station to get gas masks for Marcelle and me.  When Marcelle turned my bed down and laid out my night clothes, she put my gas mask on a chair with a pair of slacks, a sweater, tennis shoes and a flash light.  This was her idea of the proper garb for a Vogue editor to wear in an air raid shelter. 

Edna Chase (Editor in chief of Vogue) immediately sent cables, "How are couturiers coping with the new war conditions?"or "send a story on what smart women are wearing in air-raid shelters, doing war work, etc...".

A few of the courturiers had closed; Mainbocher had closed completely and left for America, Chanel had closed (not to reopen until 1954) and Paquin closed temporarily.  Schiaparelli was inspired to design town bicycling costumes: jackets with big pouch pockets to use instead of a handbag, wraparound skirts with bloomers underneath them, fedora hats - all of which I dutifully reported to New York.

We sketched women dining at Maxim's in chic, black unexaggerated fashions with skirts to mid length, hats tilted over one eye.  I reported that eccentricities were nowhere to be seen, frivolous hats had completely disappeared, although after a few hatless weeks, Madame Suzy rushed back to Paris to see that there was no nonsense as Parisians thinking they could go around without hats.  She quickly devised a cut-velvet snoodlike beret, which, to squat forceful Suzy, had exactly the right percentage of chic and practicality for war.

Bettina Ballard left Paris and did not return until the winter of 1945.

Letters and cables came.  Everyone was evacuating.  Louie Macy was on her way home with Gogo Schiaparelli (Elsa Schiaparelli's daughter) in tow.  Michel de Brunhoff (Editor of French Vogue) had evacuated with his family, his relatives and his office files to a big house outside of Bordeaux.  Elsie Mendl with her husband, Sir Charles, headed for Biarritz in her Rolls-Royce.  Tommy Kernan, the manager of the Vogue office, sent me one last cable from Paris before he left,  "Burying your silver between two trees in the forest of Yvelines."

The last issue of French Vogue published during the war was in 1939.  

In 1945, with great difficulty, Michel de Brunhoff, managed to publish the first issue of French Vogue.

Michel de Brunhoff and the remains of the Vogue staff were camping out at the offices of Jardin des Modes, which had continued publication on a small scale during the war.  Little light came in from the dark street, and there were no lights in the office.  The cold air was thick with the odor of nervously cold bodies in old woolens.  I walked through to De Brunhoffs office with a sinking heart - I felt that I was in the antechamber of despair.

Michel looked up startled to say, " C'est vrai? C'est ma Bettina?"  He had aged twenty years in the four and a half years I had not seen him.  His only son, he told me, at seventeen had been hunted down on a farm by the Getsapo and shot, along with several other boys, on the suspicion that they were part of the resistance.

A NOS LECTRICES
Apres quatres ans de silence forcé, nous sommes heureux de pouvoir, malgré les nombreuses fifficultés techniques et mat´rielles que nous avons recontrés, présenter un numéro qui, nous l'espérons, sera jugé par les amis de "Vogue" digne du passé de notre magazine, et des couturiers et des artistes qui y ont collaboré.

Ce n'est pas, hélas!  le premier numero d'une parution mensuelle, normalle et réguliere.  Les conditions économiques ne le permettant pas encore.  C'est un numéro hors-série "Vogue Libération".  Michel de Brunhoff

Vogue Liberation.  January 1945.












All images from Vogue.  

Text from Bettina Ballard's wonderful book, In My Fashion.

Thursday, August 25, 2011

The Cool Girl: 1970s Bottega Veneta

This is the bag the cool girl will be wearing this fall.  It is 1970s Bottega Veneta in a super soft butterscotch colored leather with the most amazing gold hardware.  It is luxe and bohemian at the same time.



1970s Bottega Veneta Butterscotch Bag


Why don't you wear it with...theyskens' theory courduroy "Pepper' pants


theyskens' theory Pepper Pants $295 available on theory.com

Call of the Wild: Krizia - Part Three

The sexy firefly:


1980s Krizia cashmere and silk knit Firefly sweater.


PURCHASE

Wednesday, August 24, 2011

A Joe Eula Watercolor of Dayle Haddon

I have been incredibly fortunate to have had an incredible collection of Joe Eula fashion illustrations for Halston not so long ago at RARE vintage.  These were fairly small working illustrations so when in walked through my door these gorgeous, crazy beautiful, watercolors, I was super excited!

The first is a large scale portrait of Dayle Haddon, back in the day, in swirling lines of blue:


It's all about attitude!

Dayle Haddon on the cover of french Vogue 1976:


Call of the Wild: Krizia - Part Two

The T Rex.  I bet you don't have anything like this in your closet!


1980s Krizia T Rex sweater


PURCHASE

Oh It's Magic: Kazuko


Oh, oh, oh it's magic, you know
Never believe it's not so
It's magic, you know
Never Believe, it's not so
-Magic by Pilot 1974

(and redone fabulously by Selena Gomez or so my daughter says - alright!  Truth be told, I have heard Selena Gomez's version and I actually like it better then the original. ) 

In my first post on the jeweler Kazuko I referred to the magic of her pieces.  And in speaking about Kazuko recently with two people who knew her very well, the word 'magic' came up again and again.  What was it that was so magical about her jewelry?  Was it that each piece was unique? That she had so much of herself invested in each piece that she created?

Here is an excerpt from a tribute that Simon Doonan from Barneys wrote for the New York Observer after she passed away:

'One steamy afternoon I was accosted on the sidewalk outside the Barney windows on Seventh Avenue.  The accoster was on this occasion a little fairy shrouded in black Yohji silks.  She told me her name was Kazuko Oshima, but everyone called her Kazuko.  She was a one-namer.

Kazuko said she liked the display, but felt it needed a veil.  From her purse, as if by magic, (there is that word again!!), she pulled out a massive chunk of silk tulle, the edges of which she had painstakingly stitched with rock crystals.  She waited outside the windows while I shooshed her creation over the head of the mannequin.  Voila!  We both agreed it was sugoi ("wow").'

After I was shown this substantial necklace, which was made especially for the original owner and was never available at Barneys, with its contrast of rough and smooth, all I could say was, oh, oh it's magic!








Kazuko gold wire wrapped crystal necklace and semi precious stones necklace.  


Why don't you wear it with... a flowing Madame Gres ensmeble a la Rosamond Bernier?


1970s Madame Gres at RARE vintage

Rosamond Bernier in Madame Gres and an oversized necklace in 1968:


PURCHASE







Tuesday, August 23, 2011

Call of the Wild: Krizia

I am introducing a new feature to our RARE vintage blog and it is in honor of the great Diana Vreeland and the soon to be published book, Diana Vreeland: The Eye Has To Travel, by Lisa Immordino Vreeland - who is married to DV's grandson.  Our new feature is called Why don't you wear it with... some will be pieces from my store and some will be pieces from other stores - because as much as I love vintage, I love to mix it with a brand spanking new something or other by Celine, Balenciaga, Junya Watanabe... well, I could on and on...

When it has been 90 degrees and humid almost the entire summer, a girl's thoughts inevitably turn to cozy sweaters, downy coats and leather pants.  After a long, hot summer, it is enough already with light dresses and sandals and it is time for a change of season and a change of wardrobe.  

And I am hearing the call of the wild in my fall wardrobe and I am not the only one.  Here is Style.com's call of the wild:



And here is RARE vintage's call of the wild via Krizia in the 1980s.  These animal motif sweaters were all the rage back in the day and it seems that day has come again.  I have five different animal sweaters and will be posting one a day this week.  

(please note that what looks like a spot is just a reflection - the sweaters are all in pristine condition)
1980s Krizia cashmere and silk Wolf sweater.  Over sized so will fit a variety of sizes.

Why don't you wear it with...

Vince cropped leather leggings

Vince stretch leather leggings $1,250 at Vince.com

an Alaia bootie


1500 Euros at Colette


Friday, August 19, 2011

Prints Charming: Yves Saint Laurent rive gauche

When I went to see the YSL rive gauche show at Fondation Pierre Bergé Yves Saint Laurent in Paris of course I loved everything but what really stood out to me were the prints: hearts ♡, flowers, bunnies and butterflies (and the thought that this could be the closet of my dreams!  Just a simple girl with a dream for a whole lot of YSL!).



So true:

Photos from the show Saint Laurent rive gauche La Révolution de la Mode by my ever so patient husband who was scolded for taking them:)


This ensemble with a ruffled blouse and a gently flared skirt can be worn together or the pieces can be broken up.  The blouse (which has wonderful jeweled enamel buttons) with jeans or the skirt with a Proenza Schouler tee (I am obsessed with them!!) and a pair of wedge sandals.



Yves Saint Laurent Rive Gauche Butterfly Print Ensemble.  Size 8.

PURCHASE



Wednesday, August 17, 2011

The Master is in the House of RARE vintage: Cristobal Balenciaga

The master is of course, Cristobal Balenciaga, who was also described by Coco Chanel as 'the master of us all'.   

Here is an excerpt from Carmel Snow's biography on Balenciaga:

Balenciaga made his debut in Bazaar in October 1938 with a black cloque crepe-lined coat.  What set him apart, always, was simplicity of his line.  "Nothing is more mysterious than simplicity, it can't be described nor copied."

"His is a Spanish as well as a French elegance," Carmel said, adding that "he is one of the fashion Greats of all time."  She burned to bring his work to her readers.  When photos from his collection were held up by British censors in Bermuda, she cabled her sister as well as her daughter's nanny - both devout Catholics- exhorting them to pray.

Well, RARE vintage prayers have been answered!  Here is a fine and important Balenciaga ensemble from 1968 in a stunning bronze brocade.




1966/1968 Balenciaga ensemble.  Size 2.

PURCHASE


Look at That Girl Shakin' That Thing!

Do you love a good shimmy in your dress as much as I do?  I love fringe, well, as much as Taylor Swift loves fringe.  


That is a great photo of Taylor Swift in a fringed Oleg Cassini dress she bought from RARE vintage.   

Here is another amazing fringed dress from RARE vintage, only this time it is a gown in a pale sea foam green and instead of the 1980s it is from the 1960s.  So this time when we see a girl shaking that thing, will it be you?  Or me?  I have yet to try it on and give it a good shake...

(so sorry these photos came out terrible.)



1960s seafoam green fringed dress.  Anonymous.  Size 4/6.

PURCHASE


LinkWithin

Related Posts with Thumbnails